“He was a gentleman with red whiskers who always went first through a doorway.” This is how Guy de Maupassant described a character in one of his stories. Its details […]
I am constantly exhorting writers to avoid adverbs, but to use instead “strong verbs”. And they respond by saying, “Okay, but what is a strong verb, and how do we […]
My daughter is named for a feisty Jane Austen character. My son is called Joshua – largely, I have to admit, because I fell in love with Mordecai Richler’s Joshua […]
It’s your job, as a writer, to care about every level of your narrative. It’s not just about the plot, or the characters and their words, actions and reactions. Those […]
What is a “darling” anyway, and why should it be murdered? I was asked this in a workshop recently, and it brought me up short. We are used, as writers, […]
Let’s talk about writing at its most granular level, where the choice of words writers make affects our experience as readers on a second-by-second basis. Take a passage like this, […]
Richard is on a much-deserved break, so here’s a re-post of one of our earlier Monday Motivations, from 2016. Doubt sits at the right hand of all writers. We spend […]
Readers are clever. They pick up the subtlest clues and don’t need the point hammered home for them. Last week I spoke about the subtle way Barbara Kingsolver leaves a […]
A woman in her late 40s has lived for some time entirely alone in a forest hut as a conservation ranger. A man travels through her area of the forest, […]
The world, our institutions, and our so-called opinion-makers, speak a great deal about facts v. fiction, about fake news v. the truth. But where does the writer of fiction stand […]
If you’ve been trying to write, you will no doubt have been challenged to adhere to the holy trinity of writing advice: write what you know, find your voice and show rather than tell. The first [...]